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Posts tagged digital

324 Notes

We live today not in the digital, not in the physical, but in the kind of minestrone that our mind makes of the two.
MoMA’s Paola Antonelli, mastermind of Talk to Me: Design and the Communication between People and Objects, at a recent TED salon titled “Design Is Everywhere.”

4331 Notes

‘km:mds:lad:x2008’

‘km:mds:lad:x2008’

3 Notes

betalist:

Perpetu lets you choose what will happen to your online accounts and content when you pass away. Photos, emails, social profiles. Our rich online life risks disappearing from our family’s heritage which Perpetu aims to solve. The service is easy, amusing, practical and secure - no need to share passwords.
Sign up here

betalist:

Perpetu lets you choose what will happen to your online accounts and content when you pass away. Photos, emails, social profiles. Our rich online life risks disappearing from our family’s heritage which Perpetu aims to solve. The service is easy, amusing, practical and secure - no need to share passwords.

Sign up here

2 Notes

perpetu:

LAUNCHED!
www.perpetu.co
Photos, emails, social profiles: 
what happens to them in case we pass away?

perpetu:

LAUNCHED!

www.perpetu.co

Photos, emails, social profiles:
what happens to them in case we pass away?

33 Notes

And that’s the thing: Flickr feels like a permanent home. While sharing is great, it turns out that as we progress in our digital lives, as we take more and more photos and share them more and more places, we eventually want to go back and see them again. (Which explains the popularity of services like TimeHop.) We want to revisit them. We want to relive them.

Notes

WANT
 
Braun Men’s Quartz Watch
with LCD Dial Digital Display and Black Leather Strap
BN0076SLBKG

WANT

 

Braun Men’s Quartz Watch

with LCD Dial Digital Display and Black Leather Strap

BN0076SLBKG

150 Notes

thisistheverge:

Pebble smartwatch review
Can Pebble make the first smartwatch for regular people?

thisistheverge:

Pebble smartwatch review

Can Pebble make the first smartwatch for regular people?

67 Notes

352 Notes

laughingsquid:

Instacube
A Digital Photo Frame for Instagram

343 Notes

‘ny*4’

‘ny*4’

31 Notes

dieterrams:

Braun DW30
made by Dieter Rams and Dietrich Lubs
back in 1978.

dieterrams:

Braun DW30

made by Dieter Rams and Dietrich Lubs

back in 1978.

10 Notes

aviel:

Damien Hirst Designed Union Flag used at
The London 2012 Olympic Games 
Closing Ceremony

aviel:

Damien Hirst Designed Union Flag used at

The London 2012 Olympic Games

Closing Ceremony

737 Notes


“Think different” (Apple tribute poster) by Viktor Hertz

“Think different” (Apple tribute poster) by Viktor Hertz

40 Notes

But this idea that we are trading the offline for the online, though it dominates how we think of the digital and the physical, is myopic. It fails to capture the plain fact that our lived reality is the result of the constant interpenetration of the online and offline. That is, we live in an augmented reality that exists at the intersection of materiality and information, physicality and digitality, bodies and technology, atoms and bits, the off and the online. It is wrong to say “IRL” to mean offline: Facebook is real life.

15 Notes

jockohomo:

Squarepusher Grapples with Pop, Pomposity and LEDs -“His earliest records (the Rephlex-released Feed Me Weird Things and Music Is Rotted One Note in particular) are prime examples of the sort of hyperkinetic electronica that came to define Warp Records’ glory years. Throughout the Noughties, his output became increasingly diverse. Pic’n’mix selections Ultravisitor and Hello Everything really brought Jenkinson’s astonishingly virtuoso bass playing to the fore. 2010’s skewed ensemble effort Shobaleader One: d’Demonstrator showed Jenkinson navigating an idiosyncratic path between the acoustic and the digital”

jockohomo:

Squarepusher Grapples with Pop, Pomposity and LEDs -“His earliest records (the Rephlex-released Feed Me Weird Things and Music Is Rotted One Note in particular) are prime examples of the sort of hyperkinetic electronica that came to define Warp Records’ glory years. Throughout the Noughties, his output became increasingly diverse. Pic’n’mix selections Ultravisitor and Hello Everything really brought Jenkinson’s astonishingly virtuoso bass playing to the fore. 2010’s skewed ensemble effort Shobaleader One: d’Demonstrator showed Jenkinson navigating an idiosyncratic path between the acoustic and the digital”

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